‘To Let’, I sincerely believe, is a textbook in cinematic realism. Every student of cinema should watch it carefully, again and again, to find those various ‘moments’ and study their ‘making’ that makes this film memorable. A film like this can’t be possible without a like-minded team coming together and working in unison – to attempt something that remains somewhat … Continue reading CRAFTING REALISM: THE ‘TO LET’ SOUNDSCAPE