When Sreekar Prasad, the ace film editor, agreed to talk to me for my blog, I was totally baffled. I have grown up drooling at his work, from the time I bunked school to watch ‘Raakh’ till I gaped in awe at the visual opulence of ‘Ashoka’, from the understated poignancy of ‘Vanaprastham’ to the coming of age with ‘Dil … Continue reading A CUT ABOVE: THE ‘SREEKAR PRASAD’ NARRATIVE