Logbook of a Screenwriter
Allow me to start by telling sorry to my readers. It’s been quite some time since I did my last blog, with Sham Kaushal – although it seems you guys have kept reading my pieces, since the traffic to my blog has been remarkably steady. Thanks for the support. Life kept me busy with other things. I did a couple…
Leave a CommentTapas Nayak has been working in the film-industry for close to two decades now, with a number of blockbusters and award winning films under his wings. Asking him to pick a few of them to discuss their soundscape is a real challenge, since every film in which he has worked is equally dear to him. Here, I asked him to…
1 CommentWhen given an opportunity, Tapas Nayak likes to tell stories with sound. Even while making films completely intended for the mass-market– this high-on-demand Sound Technician based in South of India loves to put in his delicate ‘aural’ touches that enhances the cine-viewing experience manifold. Problem is, not many people usually discuss ‘sound’ when they brainstorm films. Or understand its importance,…
1 Comment‘To Let’, I sincerely believe, is a textbook in cinematic realism. Every student of cinema should watch it carefully, again and again, to find those various ‘moments’ and study their ‘making’ that makes this film memorable. A film like this can’t be possible without a like-minded team coming together and working in unison – to attempt something that remains somewhat…
2 Comments‘To Let’ is a film that deserves to be celebrated. When I say that, please do remember, I am a Bengali, brought up in Assam and Kolkata, and based out of Delhi for almost two decades now; and yes, I do not understand a single word of Tamil. Yet, I cherished every single moment of this debut-film by Writer-Cinematographer-Director Chezhiyan.…
3 Comments
