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Category: VIEWS

STORIES OF SOUND, AND SILENCE: TAPAS NAYAK

When given an opportunity, Tapas Nayak likes to tell stories with sound. Even while making films completely intended for the mass-market– this high-on-demand Sound Technician based in South of India loves to put in his delicate ‘aural’ touches that enhances the cine-viewing experience manifold. Problem is, not many people usually discuss ‘sound’ when they brainstorm films. Or understand its importance,…

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THE ‘BHRAM’ WITHIN: ALL IN THE MIND

I have never been a huge fan of classical horror flicks; they freak me out. Probably because, despite my earnest efforts, I have never been able to grow out of my childhood. Getting spooked by ghost stories were a large part of that experience. That apart, those highly synthetic B-Movie comic-capers that bootlegged as horror-films in my young adulthood never…

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CRAFTING REALISM: THE ‘TO LET’ SOUNDSCAPE

‘To Let’, I sincerely believe, is a textbook in cinematic realism. Every student of cinema should watch it carefully, again and again, to find those various ‘moments’ and study their ‘making’ that makes this film memorable. A film like this can’t be possible without a like-minded team coming together and working in unison – to attempt something that remains somewhat…

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THE ‘SHORT’ SIDE STORY: WITH DHEERAJ JINDAL

Dheeraj made his debut short feature ‘The School Bag’ at a time when jingoism was not yet trending hot in India. But yes, the storm clouds were very much growling across the horizons, and liberals were pretty much starting to lose their voices, and sometimes their lives. Free-thinking was definitely not the official mandate. Within those soggy circumstances, to make…

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THE ‘RAAKH’ FILES, DUSTED: WITH ASIF NOOR

Asif Noor, the producer of Raakh, shared an interesting story with me, about a train journey, in 1990. It was during his stint with fashion, when, by his own admission, he did 1,80000 kms in Rajdhani Chair Cars in a single year; during one of these whirlwind tours, while travelling from somewhere to elsewhere, he met a Gujarati trader. Inevitably,…

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ENGAGING ‘POETICS’: WITH SANTANU BOSE

Can the principles of ‘Poetics’ apply to Indian Cinema? More specifically, commercial Hindi cinema? Is it possible to deconstruct a blockbuster hit Hindi ‘tragedy’ on the basis of Aristotle’s rules and principles of storytelling? Ever since I spent time with NSD Professor Santanu Bose, discussing the essence of ‘Poetics’, I had been thinking. Am I stretching things a bit too…

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