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Category: VIEWS

MINDS WITHOUT BORDERS; NEPAL, ARUN & ME

My camaraderie with Nepal began during my school days in Missamari, Assam, much like most of my other ‘language-group’ relationships. Staying in an army cantonment area has been a boon of sorts, because in terms of being exposed to a mixed culture, nothing can match an army-school experience. My math’s teacher, I still remember, was Mr. Limbu, from somewhere in…

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STORIES OF SOUND, AND SILENCE: TAPAS NAYAK

When given an opportunity, Tapas Nayak likes to tell stories with sound. Even while making films completely intended for the mass-market– this high-on-demand Sound Technician based in South of India loves to put in his delicate ‘aural’ touches that enhances the cine-viewing experience manifold. Problem is, not many people usually discuss ‘sound’ when they brainstorm films. Or understand its importance,…

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THE ‘BHRAM’ WITHIN: ALL IN THE MIND

I have never been a huge fan of classical horror flicks; they freak me out. Probably because, despite my earnest efforts, I have never been able to grow out of my childhood. Getting spooked by ghost stories were a large part of that experience. That apart, those highly synthetic B-Movie comic-capers that bootlegged as horror-films in my young adulthood never…

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CRAFTING REALISM: THE ‘TO LET’ SOUNDSCAPE

‘To Let’, I sincerely believe, is a textbook in cinematic realism. Every student of cinema should watch it carefully, again and again, to find those various ‘moments’ and study their ‘making’ that makes this film memorable. A film like this can’t be possible without a like-minded team coming together and working in unison – to attempt something that remains somewhat…

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AS REAL AS IT GETS: ‘TO LET’ ORIGINS

‘To Let’ is a film that deserves to be celebrated. When I say that, please do remember, I am a Bengali, brought up in Assam and Kolkata, and based out of Delhi for almost two decades now; and yes, I do not understand a single word of Tamil. Yet, I cherished every single moment of this debut-film by Writer-Cinematographer-Director Chezhiyan.…

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THE ‘SHORT’ SIDE STORY: WITH DHEERAJ JINDAL

Dheeraj made his debut short feature ‘The School Bag’ at a time when jingoism was not yet trending hot in India. But yes, the storm clouds were very much growling across the horizons, and liberals were pretty much starting to lose their voices, and sometimes their lives. Free-thinking was definitely not the official mandate. Within those soggy circumstances, to make…

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BETWEEN THE LINES: WRITING NON-FICTION BOOKS

The amount of longing that we had about seeing our name in a book-cover when we were children and young adults might have subsided with the advent of screens of various dimensions – but still – a book is a book…is a book. It’s probably safe to presume every writer, and those who think they can write, still want to…

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THE ‘RAAKH’ FILES, DUSTED: WITH ASIF NOOR

Asif Noor, the producer of Raakh, shared an interesting story with me, about a train journey, in 1990. It was during his stint with fashion, when, by his own admission, he did 1,80000 kms in Rajdhani Chair Cars in a single year; during one of these whirlwind tours, while travelling from somewhere to elsewhere, he met a Gujarati trader. Inevitably,…

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